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A Dance Teacher’s Guide to Helping Your Students Be Prepared for Class

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As dance teachers, we understand there’s more to being prepared for class than signing up and walking in with your dance bag.  In this article we will discuss habits that will improve your overall class experience.

Prior to coming to class, it is well worth your time to look into the background of the instructor and the style being taught.  This may affect your physical preparation for class.  While optimally a dancer should have the strength, flexibility, and agility of any other athlete, some styles emphasize different skills.  For example, hip-hop and tap dance necessitate building quick-twitch muscle response to perform fast movements.  Ballet, lyrical, contemporary, and related styles demand flexibility for elongated lines and flow.  Knowing the style of the instructor may let you know which of the physical skills may be emphasized in their class.

Additionally, to be physically prepared for class, it is helpful to do a light stretch and get your heartrate up a little before entering the classroom even though class will often include a warmup and stretch.  Also, to be able to sustain your energy throughout the entire class, you need to be nutritionally prepared.  There is much information online on what kind of fuel you need to dance full-out for several hours.  I would approach your nutritional knowledge as a competitive athlete.

Learning dance requires an open mind; therefore, one is well advised to not make too many assumptions about the class.  “Don’t dance yesterday’s news.”  This means understanding that what is applied to one class may not apply to the next; although there are many things that carry over throughout dance such as the attitude and focus with which you take the class.  I love it when students enter class with a “Take the Stage” energy.  Making eye contact with the teacher lets them know that you are focused and ready to take in information.

We hear the word discipline in dance so often, and I believe that this should include respect for the art of dance, respect for the teacher, and respect for the other dancers in class- all of which should enhance respect for yourself and promote confidence.  Different teachers in different classes may have different protocols when teaching dance manners.  Take note of these. Once you have thanked the teacher for the class, it is very valuable to reflect on the class later in the day and visualize yourself as a perfect dancer.

These suggestions should better prepare a dancer to get the most out of class!

I use a dance alphabet for the younger kids which helps them to gain good dance habits.  This is one dance alphabet which has proved successful for me:

Attitude: We come to class with a good attitude.

Belief: We believe we are going to be good dancers.

Commitment: We go-for-it all the way.

Discipline: We are always in control of our behavior.

Energy: We keep our energy up throughout the class.

Focus: We concentrate on all the information given in class.

Grace: We are poised both mentally and physically.

Health: We maintain our physical well-being.

Inspiration: We are motivated by the excellence of other performers.

Joy: We feel joy when we dance, and we want the audience to feel our joy.

Kindness: We are considerate of others in the studio and in our everyday lives.

Love: We let our passion for dance motivate us.

Musicality: We let the music shape our movement.  (Learning about music is of great value.)

Neatness: We come to class appropriately dressed.

Open-Mindedness: We are always open to new ideas.

Practice: We make time for repetitions to perfect our skills.

Questions: We are not afraid to ask for clarification.

Respect: We show respect for the teacher, for ourselves, for our fellow dancers, and for the art of dance.

Style: We try to match the style that the teacher gives.

Technique: We concentrate on how to move efficiently.

Understanding: We always ask ourselves if we truly understand.

Versatility: We strive to become a well-rounded and complete dancer by exploring all genres.

Will-Power: We always try to have a strong mind.

X Marks the Spot: We maintain our special awareness in class to prevent collisions.

Yourself: We are responsible for ourselves in every way.

Zone: We want to combine all the tools that we’ve listed to find ourselves “in the zone.”

Here;s to your success, Tony

 

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Author

Tony Coppola

Tony Coppola

With long-standing national recognition as a tap dance virtuoso, All-American gymnast, master dance teacher, and professional percussionist, Tony Coppola is in high demand as a performer, choreographer and master instructor. His television choreographic credits include commercials for McDonalds, Aramis cologne, and Autolite autoparts, as well as the Superstars of Gymnastics for USA TV network, and John Tesh Live at Redrocks for PBS. He choreographed the World Gold Gymnastics tour starring Nadia Comaneci and a cast of Olympic medalists and Hollywood dancers. *Tony was honored to have a Capezio tap dance shoe named after him. He has taught outreach classes for the Kennedy Center’s Imagination Celebration. Tony’s music theatre credits include the lead role in GEORGE M and choreographer role in productions of WEST SIDE STORY, CHICAGO, TOMMY, SEVEN BRIDES FOR SEVEN BROTHERS, KISS ME KATE and many others. While on faculty at UNLV for five years, he became the published author of INVITATION TO THE DANCE, found on amazon. Tony began his performing career as a dancer for Donny and Marie, and toured the world with the Osmonds for several years. He continued his performing career as a tap soloist for many stage shows, tv shows, and film. He was the master tap teacher for Tremaine conventions for twelve years. Tony has written for many dance publications and is presently a contributing writer for Dance Informa magazine. He is on faculty of the Dance Teacher Web National Conference, and judges throughout the United States. Presently Tony directs and choreographs the Las Vegas based Coppola Rhythm Ensemble and their show “Kickin’ It!” He is the tap instructor for Don Mirault’s Theater Arts Preparatory School at The Rock Center for Dance in Las Vegas, where he is on faculty. Tony is proud to be a mentor for “Get Launched” sponsored by Positively Arts Program. *Tony’s endeavors in the outreach arena have led him to a project for children, which combine fitness, dance, and music called “The Rhythkiddz”. Tony espouses a philosophy of versatility and relevance for himself and his dancers.

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