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10 CHOREOGRAPHIC INSPIRATIONS OTHER THAN MUSIC

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We all know that a good rhythm and thought-provoking lyric can prompt a heartfelt and intuitive response to compose movement. As dancers, music goes synonymously with dance. What happens though when we break the mold a bit and think outside the box to discover outside catalysts that can administer the same reaction? How can we as choreographers’ progress and push ourselves outside of our artistic comfort zones to be not be so reliant on the music and lyrics?

We always know it’s there waiting for us like a true friend, so why not break the boundaries a bit and add to our creative process reserve? The following list are some of my own tried and true places to seek inspiration and have helped me develop some pretty awesome pieces I may not have imagined otherwise! So, have fun, play and let your soul be inspired!!

Good luck,

 See you in the dance studio,

Jess

1.       Choreographic Devices (space, time, energy, dynamics, form, structures, motif, etc.)

2.       Improvisation

3.       Visual Interdisciplinary Catalysts: Art, Photography, Nature etc.

4.       The Written Word: poetry, literature, story writing, journal writing (*stream of consciousness,) letters, etc.

5.       The Five Senses

6.       The Elements

7.       Visualization and Meditation

8.       Human Experience & Emotion

9.       World News & History, Science, etc.

10.   The “Un-Comfort Zone”: (focusing on movement profiles & devices you are NOT comfortable with or use often in your creative process.

 

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Author

Jessica Rizzo Stafford

Jessica Rizzo Stafford

Jessica Rizzo Stafford is a native New Yorker and graduate of NYU Steinhardt's Dance Education Master’s Program; with a PK-12 New York State Teaching Certification. Her double-concentration Master’s Degree includes PK-12 pedagogy and dance education within the higher-education discipline. She also holds a BFA in dance performance from the UMASS Amherst 5 College Dance Program where she was a Chancellor's Talent Award recipient. Jess now works extensively with children, adolescents and professionals as choreographer and teacher and conducts national and international master-classes specializing in the genres of modern, contemporary, musical theatre and choreography-composition. Jess’ national and international performance career includes works such as: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. Jess has been a faculty member for the Perichild Program & Peridance Youth Ensemble & taught contemporary and jazz at the historic New Dance Group and 92nd Street Y in NYC. She was Company Director at the historic Steffi Nossen School of Dance/Dance in Education Fund and in 2008 traveled to Uganda where she taught creative-movement to misplaced children. The experience culminated with Jess being selected as a featured instructor at the Queen's Kampala Ballet & Modern Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and recently taught at the 2011 IDS International Dance Teacher Conference at The Royal Ballet in London, UK. She is also on faculty for the annual Dance Teacher Web Conferences in Las Vegas, NV. Currently, Jess is a faculty member at the D'Valda & Sirico Dance & Music Centre and master teacher & adjudicator for various national and international dance competitions. Recently, she has finished her NYU Master’s thesis research on the choreographic process of technically advanced adolescent dancers and is the creator of “PROJECT C;” a choreography-composition curriculum for the private studio sector. Jess is also faculty member, contributing writer and presenter in the choreography and “how to” teaching segments on the celebrated danceteacherweb.com. For more info, visit her website at www.jrizzo.net.

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