There has always been much emphasis placed on creative movement within K-12 dance education. However, the concept of integrating formal, more sophisticated improvisation and choreography-composition classes within the private sector has often been overlooked. As someone who just finished her thesis on the choreographic process of technically advanced dancers during late adolescence/young adulthood, it is important to mention the growing trend of technically-trained adolescent dancers who are finding choreography as their true calling and are often not experiencing these courses until they reach higher education dance programs. What is even more interesting is that the works of some of these young dancemakers are the most refreshing, thought-provoking and promising works I have seen throughout my time as a choreography teacher.
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